|
| movements = 8 | text_poet = Georg Christian Lehms | chorale = by Johann Heermann | vocal = soprano | instrumental = }} ''ドイツ語:Mein Herze schwimmt im Blut'' ((英語:My heart swims in blood))〔 BWV 199, is a church cantata by Johann Sebastian Bach. He composed the solo cantata for soprano in Weimar between 1711 and 1714, and performed it on the eleventh Sunday after Trinity, 12 August 1714. The text was written by Georg Christian Lehms and published in Darmstadt in 1711 in the collection ''ドイツ語:Gottgefälliges Kirchen-Opffer'', on the general topic of a looking for redemption. The librettist wrote a series of alternating recitatives and arias, and included as movement 6 of 8 the third stanza of Johann Heermann's hymn "ドイツ語:Wo soll ich fliehen hin". It is not known when Bach composed the work, but he performed it as part of his monthly cantata productions on the eleventh Sunday after Trinity, 12 August 1714. The solo voice is accompanied by a chamber orchestra of oboe, strings and continuo. The singer expresses in a style similar to Baroque opera the dramatic development from feeling like a "monster in God's eyes"〔 to being forgiven. Bach revised the work for later performances, leading to three different editions in the ''Neue Bach-Ausgabe''. == History and words == On 2 March 1714 Bach was appointed concertmaster of the Weimar court orchestra (''Kapelle'') of the co-reigning dukes Wilhelm Ernst and Ernst August of Saxe-Weimar. As concertmaster, he assumed the principal responsibility for composing new works, specifically cantatas for the ''Schlosskirche'' (palace church), on a monthly schedule.〔 He performed the cantata on the eleventh Sunday after Trinity as the fifth cantata of the series, following ドイツ語:''Weinen, Klagen, Sorgen, Zagen'', BWV 12.〔 The prescribed readings for the Sunday were from the First Epistle to the Corinthians, on the gospel of Christ and his (Paul's) duty as an apostle (), and from the Gospel of Luke, the parable of the Pharisee and the Tax Collector ().〔 The text, which concerns a sinner seeking and finding redemption, was written by Georg Christian Lehms. Lehms was based in Darmstadt, and it is not known whether Bach knew him personally, but he may well have had access to Lehm's 1711 publication ''ドイツ語:Gottgefälliges Kirchen-Opffer'', which includes this text and that of another solo cantata, ''Widerstehe doch der Sünde'', BWV 54, performed the month before.〔 The third stanza of Johann Heermann's hymn "ドイツ語:Wo soll ich fliehen hin" is integrated as movement 6.〔 The text in the first person shows the dramatic change of a person initially feeling as "a monster in God's eyes"〔 to finally feeling accepted as God's child. The cantata text was set to music in 1712 by Johann Christoph Graupner in Darmstadt. It is not known if Bach knew of Graupner's composition.〔 The text has no specific relation to the prescribed readings, therefore it is possible that Bach may have already composed the work before his promotion to concert master with regular Sunday services, like the other cantata on a text by Lehms.〔 Bach first performed the cantata on 12 August 1714.〔 When he performed it again in Leipzig on the eleventh Sunday after Trinity in 1723 (8 August) it was the first solo cantata and the most operatic work which he had presented to the congregation up to that point.〔 He made revisions for that performance, such as transposing it from C minor to D minor and changing the obbligato viola to violoncello piccolo. In the same service, he also performed a new work, ドイツ語:''Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei'', BWV 179]: one before and one after the sermon. The ''Neue Bach-Ausgabe'' recognises three distinct versions: the Weimar version, a Köthen version, and the Leipzig version.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Mein Herze schwimmt im Blut, BWV 199」の詳細全文を読む スポンサード リンク
|